No Magic Bullet

 
Sometimes aspiring writers think having an author read their manuscript will give them a head-start on getting published. They may be setting themselves up for disappointment, for several possible reasons…
 
1. Just because someone is published doesn’t mean they have any special knowledge about what “the industry” is looking for. They submitted a specific manuscript which caught the attention of a specific editor. Good on them, but this doesn’t necessarily imbue them with special inside information regarding “who’s looking for what.”
 
2. It also doesn’t necessarily make them a reliable judge of good writing in general (whatever that means). Secret hint: writers frequently like writing similar to their own. Thus, asking one to read and respond to your manuscript can result in them critiquing your work into a junior version of theirs. (As discussed earlier.)
 
3. There may be a misconception that an author can somehow fast-pass your manuscript by giving it directly to her editor. Sorry, but 99% of the time it just doesn’t work that way. The few times I’ve seen an author pass a friend’s manuscript along to her editor, in every single case the friend was left waiting around for a response for as long—or longer—than if she’d submitted via the usual channels. Editors aren’t just sitting around waiting for good manuscripts to drop in. They’re inundated with them, receiving them daily from professional agents who actually know what a solid, commercial manuscript looks like. And of course they also receive manuscripts from their existing authors, who likely already have a track record regarding quality and/or sales. All of which isn’t to say “The odds are long so give up now.” Not at all. I believe a great manuscript will eventually see the light of day, with enough hard work and persistence. My point is, having an author say, “Here’s a manuscript from my friend,” is not a direct path to publication. (TL; DR: An actual agent who’s putting her professional reputation behind your manuscript will carry much more weight with an editor than a pass-along from “a friend.”)
 
4. If said author “doesn’t like” your work, what’s your course forward from there? Are you supposed to revise it to be more like their work? Are you supposed to throw it away and start over? Are you supposed to get depressed and quit writing altogether? (The real answer, of course, is: D, none of the above. You should probably let it go and move on. Unless their critique rings true with you, in which case revise accordingly and then move on.)
 
5. However, even if said author “loves” your writing, unless their last name is Patterson or Rowling or King they’re probably not in a position to offer you representation and/or a publishing contract. The people who can do this—whose opinions matter to you in the first degree—are agents and editors. These are the people you should be trying to get to read your manuscript. And the best way to make this happen, in short, is: (1) Have a great manuscript—finished, re-written, revised, polished, and totally-ready-for-primetime. Then, (2) contact an agent who’s represented published works similar to yours, using a brief, intelligent, non-sociopathic query letter letting her know what you’ve written and why she might be a good fit for it. Repeat until you achieve the desired result.
 
Note that this will require a little research on your part, but not an impossible amount. And don’t get too cute with the query. Remember, you cannot talk someone into liking your manuscript. You can only write them into liking it, by doing a bang-up job of actually writing it, and by not submitting it until it’s as good as it can possibly be. But you can easily talk them into not liking it. Hence not getting too clever with the query.
 
There is something an author can do which may be more useful to the aspiring writer than simply reading their work, which is to pass along whatever small bits of wisdom they may have about writing and the publishing industry. I’m happy to speak with writers’ groups (and have done a bit of it, both on book tour and locally) and of course I also try to throw out helpful tips here, FWIW. More than once aspiring writers have contacted me and basically said, “Can I buy you a cup of coffee and pick your brains?” And—if schedules align such that this can actually happen—it can be beneficial to the aspiring writer, likely much more so than simply having someone read and comment on their manuscript. I recall one smart young guy who lined out the basics of his just-completed book, then asked, “What would you do next, if you were me?”, which led into a good discussion about how to (and how not to) go about acquiring an agent within his specific genre. When we were done he thanked me for my time and I thanked him for not asking me to read his manuscript.
 
He laughed and said this was a way better use of his time.